Tuesday, October 6, 2026
Towards Communal Luxury:
Story of the ZXRZ in Leipzig
by Marc Herbst
Leipzig, 2026 -- The front of the complex is on a main street. The two street-level storefronts are a vegan restaurant and a book bindery, and in the first courtyard is a print shop. They print a monthly flyer announcing events at the long-running punk club in the courtyard. This popular club doesn’t have a website or a presence on social media. Person-to-person, practice-based relationships maintain the communal luxury that this place expresses.
In Leipzig today, you can get vegan food options just about anywhere. Asian fusion restaurants with abundant vegan options have mostly replaced heavy Saxon fare as the regional food. But not so long ago, when vegan food was hard to come by, that restaurant and its cooks were real innovators. They came from the punk community. And until Covid the restaurant always had one menu item, priced cheap for the vegan punks. Now you can get vegan doner, vegan pizza, and all kinds of vegan meat in the supermarket cooler.
Above the two storefronts below are the complex’s largest residential buildings. This complex was initially an electronics factory, although you’d think it had been a printshop because of the old presses lying around. Just to the right of the restaurant an ornate clunky metal gate is almost always open. Through the gate a tall tunnel leads through the front building into that first back courtyard. Passers-by always stop to look at the street art glued onto the walls. On one side you can get a month’s worth of event posters.
Take it With You
Beside an ancient printing machine is a bunch of shelves for neighbors to leave or pick up shirts, pots, bike parts, drums, chairs -- whatever has been left. Here there is a tradition of leaving items in boxes with the tag “zum mitnehmen” – “to take with you”. I think this arrangement came before the more organized and centralized but DIY second-hand depots around Leipzig. But the best of this second-hand stuff is not left here. Many people bring their old stuff into the second courtyard and its free shop.
Zxrx, the concert venue that gives the whole complex its name, is attached to the free shop. The venue is two floors: it shares the basement and ground floor with the free shop and the DIY bike repair shop. Upstairs is a band practice space and a place for travelling bands to stay overnight.
Deployed around the building are a metal workshop, wood workshop, two garden spaces and several other storage sheds that some of the older male punks hanging outside use for ad hoc bike repair and small chores.
The free shop has a website and uses some social media. The concert venue does not. Zxrx has been hosting concerts since the end of the DDR. (It was occupied in late 1990.)
You Had to Be There
Publicity is entirely analog, comes out each month, and features original art. The printshop runs off a folded A3 flyer listing the concerts and the bands playing at Zxrx. There’s always a short text description -- sometimes poetic, sometimes like a little review, sometimes scientific in its music-nerdiness.
The flyer also informs about hours at the free shop and bike repair space, as well as the times for the weekly KüFa’s, or “Küche fur Alle” (Kitchen for All). It lists the other KüFa’s around Leipzig town, cooking at community spaces managed by the city’s vibrant punk and queer scenes. Gigs and events at other spaces throughout the city are also listed. Many of the punk and post-punk clubs are in this neighborhood of Connewitz; many green, left, queer and internationalist spaces are located in other neighborhoods. That said, we mustn’t forget that the first queer punk parties and ladyfests took place at Zxrx.
The flyer advertises spaces outside of the city, in the surrounding former east German state of Saxony, and in Thuringia and Sachsen Anhalt. The club tries to support other punk projects in whatever ways they can. While Connewitz, and Leipzig in general, has a radical left reputation, Saxony and the wider former East is the home to some of the nastiest far right groups in Germany today. Here punk is synonymous with DIY leftist cultural organizing rather than a specific kind of music style.
Connewitz District is Hardcore
Connewitz earned its reputation as a militant leftist center as East Germany collapsed in the transition to a united Germany. The East German government had made efforts to clear the neighborhood just before the wall fell, and a few squatters had already moved in.
[Editor’s Aside: See the OccuProp blog on the “Tutenhaus”, a Berlin squat movement that took place during this same moment of “die Wende” -- "Germany in Autumn #3: The ‘Trout Farm’ and the Free Party Scene in the ‘90s" (2022).]
During the transitional period, the alternative scene in the neighborhood blossomed besides a general period of police violence, right wing threats and euphoric lawlessness. From the punk social centers and on the streets in this period known as the “baseball bat years,” the squatting scene ran Nazis out of town as individuals in the city’s left-friendly government helped normalize the squats and cultural centers. This place was a beneficiary of the anti-fascist successes of the era.
The stubbornly beautiful continuation of the paper flyer reflects the affect of a scene that has had the luxury of time to stew in its own juices. An hour away from cheap 1990’s Berlin, Leipzig didn’t face any real gentrification until after 2010; then the de-population that had hit the city after the de-industrialization of reunification finally reversed. So the scene developed through more than 20 years of low and no rent, through Riotgrrrl and the alter-globalization movement that had scene members traveling through Prague, Genoa, and just traveling as people do. Partying, doing anti-fascist organizing, neighbors met and built resource centers like this one. There is an annual summer festival where friends of the venue come from throughout Europe to party and rekindle social bonds, listen to music, enjoy joke bands, drink, whatever.
The Anti-Deutsch
In dialog with these movements, tensions stemming from the fallout of German reunification came to shape a uniquely German left political tendency; the anti-Deutsch movement. Now far less popular than it used to be, the Connewitz neighborhood is known in the city for being the anti-Deutsch neighborhood. To glimpse at how this odd radically “pro-Israel” leftist faction movement could have emerged, you have to at least appreciate how the community actively fought the far right before the far right also started to visibly parade with Israeli flags. I have little interest in discussing them further in an article about left cultural centers -- except to say that though Zxrx is not an anti-Deutsch space, it expands upon an anti-Deutsch critique about German nationhood to a wider appreciation of the problems inherent to nations and borders. There is a “no flag” policy in the club. [ENDNOTE]
(If you want to learn more about the anti-Deutsch movement, I would suggest listening to this excellent and critical podcast by Emily Dische-Becker “on how Germany became attached to a wildly narcissistic anti-antisemitism and Israeli proxy nationalism that have made it one of the most anti-Palestinian governments on earth.”)
The monthly flyer is passed hand-to-hand by people living in the neighborhood who at least know each other by sight if not by name. While controversies surface online, this is a place far away from the slow and steady personal relations of a venue that does not concern itself with a digital platform. Controversies appearing there about differently held ideologies may only be resporough slow, locally distributed paper flyers. This is an interesting conundrum.
Remarkably, Leipzig has several spaces of left culture. Subcultures map onto neighborhoods that developed during the periods of revitalization. Connewitz embodies the post-DDR alter-globalization era of liberated tech, anarchism and Riotgrrrl. The West of the city through the early 2000s has large city-run sites with a decidedly left-green appeal to meet that generation of newcomers’ cultural and political bent. It served as a city-sponsored model for post-socialist cultural stabilization.
Decadal Changes
The city’s university had begun attracting students, many of them left-leaning. In this moment, the government rushed to facilitate alternative housing models rather than face years of squatter resistance. The East of the city has been the last to develop after the end of the Cold War. When it did, its abandoned housing stock became home to large external migrant communities, and it has some of the most sizable housing projects. Its left face is younger -- very queer friendly, and its politics are the most international, reflecting the overall diversity of the neighborhood.
Still, community spaces there appear to be the most precarious, reflecting the capitalization of real estate and the general rightward trend of state politics. The South has the bulk of the independent and established institutions with real resources – property, experienced staff, solid community support, years of meaningful memories and appreciation. This is because they were established when real estate was not an investment, and the city was emptying.
Zxrx is one image of what community luxury could be. Because real estate is now a thing, there is a real possibility that the younger queer and green left cultures will not be able to establish and hold onto resources in what have become their neighborhoods.
Zxrx and its free shop project is one effort to overcome this style and generational separation. While I associate the green West of Leipzig with electronic and rave, the East with hip hop, and the South with punk and post-punk, the venue plays all kinds of music. But as a good organizer knows, passive participation like attending a concert does not build real community. What does is working together on projects over time.
Why Buy?
I don’t know when Free Shops proliferated here. I can’t help but think of the Digger’s Free Store whenever the name comes up, or Claes Oldenberg’s Store -- both anti-authoritarian responses to consumer society. There are at least three free shops in town. And after working in Zxrx’s “Kijuwe” free shop for several weeks, it feels weird to think about buying clothes ever again. There is just so much of it, floating around for free.
The Kijuwe takes up about three rooms of space, and it’s packed to the gills with donated clothes as well as books, table settings, pots and pans, and weird stuff. The city’s DIY scene has created a list-serve for free items, and sometimes members of the Kijuwe will ping somebody who wants to get rid of 25 old computer monitors, or a bag of hand-knit socks from an over-motivated knitter. Those special items might sit behind the counter, on offer to someone in need. Or to someone who asks, or to volunteers, or friends of friends. Kijuwe organizes with local refugee centers to make large donations of seasonal clothes.
Though the Kijuwe has money from grants, its method is to stick with the volunteer ethic that supported the wider project’s development. That is, it values unpaid and volunteer hours, knowing that collective and free labor creates more solidarity and love between people. Its bonds are stronger. This, of course, from a generation of people and within a neighborhood that is more settled.
The Kijuwe aims to become a center for the commonwealth and skills of the city, generosity, inclusivity, handwork, time. It aims to become a kind of punk degrowth center. Plans are in the works to attach the outdoor refrigerator to the power supply to make a public refrigerator. The city already has a discounted “tafel” where, if you register,you can go and retrieve out-of-date food items. Some of it is great organic bread, cheese, milk. But there is also a network of DIY food sharing pick-up sites where dumpster divers re-distribute their bigger scores. The problem with this more DIY way of food-sharing is that perishables get damaged in the heat. The refrigerator project aims to address that, joining other public refrigerators that developed internationally through the Covid era.
Some Are Seeds
The Kijuwe has a neighborhood seed library. It is tended by an autonomous collective that occasionally meets to organize the library and host seed-sharing events. Seed libraries, for those who don’t know, allow gardeners to take seeds out in spring to plant for the growing season, harvest the produce, and then return new seeds from the years’ planting when ready. The library thus also promotes seed selection to produce more climate- appropriate plant varietals.
The place is pro-repair. It has a free bike-repair shop staffed by people who can help you repair your bike. It has a FLINTA-only repair day (FLINTA is a German acronym for women, lesbians, intersex, non-binary, trans and a-gender people), as well as a day for mixed populations. It also has a clothing repair station with sewing machines and a day when you can come in and mend whatever, also staffed with a knowledgeable volunteer.
Outside, they are installing a small garden and rainwater barrels. What can be grown in the garden that meets the interest of the yard’s frequent users and also pulls in occasional and interested gardeners, and food preservationists, people interested in both freezing, circulating, or fermenting foods.
The kitchen can be used when the free shop is cleared out for events -- a teen art show, a Ukrainian film screening night, an information night around German abortion laws, as a small community theatre space, a place where members of the anarchist women’s soccer team meet.
Who Will Help Out?
All these projects require staffing. The recognition that the Kijuwe could bring in new and diverse populations for something other than music only recently emerged. New procedures, new protocols, new relations, new responsibilities. New ways of connecting out and making and enriching solidarities. New things to do with long days of either nothing to do, or short late afternoons at the end of a tiring workday. There is an upcoming Kijuwe weekend festival with a hip-hop dance workshop, donation-based coffee bar run by an old punk, and various upcycling workshops.
There must be ways to overcome internal, often generational or situational left divisions, in a leftist city sitting within a far right state. The stable situation of the Kijuwe, initiated during an era when real estate was not a commodity, provides its contentious organizers a place to try and overcome tensions. As a social center that is used by a cross-section of society, the Kijuwe can be a resource for collective mediation. As a mirror of communal wealth, the luxury it affords can be of benefit to a wider community.
Afterword:
In light of the ongoing rise of the far right within the state of Saxony and neighboring regions, spaces like Zxrz can continue to expand beyond their punk origins in order to demonstrate ways that open, grassroots and self-organized infrastructure can work. This is based upon their efforts, but dependent upon wider political possibilities that normalize anti-racist and queer friendly sociality that supports us all through the common – also uncommon and extraordinary individual and collective – difficulties of life.
MARC HERBST is an interdisciplinarian, an artist, theorist and editor, whose current work focuses on the relationship between individual nighttime dreams, grassroots culture and fine art in the maw of climate and governmental collapse. His long-term interests circle around ecology and also the relationship between culture and social activity and qualitative political change. He is co-edits the Journal of Aesthetics & Protest
https://joaap.org/
https://marcherbst.wordpress.com/
[ENDNOTE] If you want to learn more about the anti-Deutsch movement, I would suggest listening to this podcast by Emily Dische-Becker “on how Germany became attached to a wildly narcissistic anti-antisemitism and Israeli proxy nationalism that have made it one of the most anti-Palestinian governments on earth.” https://thedigradio.com/podcast/the-german-question-w-emily-dische-becker/
Wednesday, May 27, 2026
CSO EKO of Carabanchel in Madrid Faces Eviction
EKO at night, during a recent demo against eviction
I haven’t done the rounds of Madrid social centers for a while now. I popped in to EKO in Carabanchel recently to see the assembly discuss the future of the project, and indeed of all Madrid’s okupas – esp., social centers in occupied buildings. EKO is 12 years old. Now it is on the brink of extinction (bolded text is glossed below).
This month saw the 15 year commemorations of the 15M movement. The huge encampment by indignados in the central Puerta del Sol spread over Spain during that extraordinary year. 15M was just one of the “movement of the squares” throughout the West and beyond. Here it spurred the rise of the Podemos electoral party. Now it is a distant memory of optimism and forward progressive movement, a faint voice of bygone history amidst the ceaseless propaganda of a new era of reaction.
Program of the recent festival at EKO, @eko_carabanchel on Instagram
The revanchist counter-democratic movement of capital and its governnment partners is bursting with brio. And, with their control over most legacy media of communication, they are eager to let us know. It’s TINA† time again.
I’ve started out a few times to blog the slow-rolling repression of citizen initiatives since the electoral defeat of the left in Madrid. My blog folder is full of false starts which I never posted. It always seemed to require more clarity, more research, and closer attention to the wails of those whose lives were being impoverished. More sadness.
Over time, years, decades, the autonomous movements have accommodated to the rising pressure of rent-seeking capital and its government partners. In some European cities – Amsterdam, Zurich, Paris – governments have given these movements room to maneuver. That is only sensible, in the interest of preserving their creative contributions to the fabric of the metropolis. Capital makes money, yes, but without knocking the stuffing out of striving young people. That’s part of an enlightened technocratic governance, which has never been a feature of the Spanish rightwing.
Madrid is like a Big Cruise Ship…
Here in Madrid today there is zero tolerance for what goes against the civic whims of big capital, and the incessant commercialization of every aspect of life.
Madrid now is going in full for touristification; the degradation is everywhere. More and more trashy chain stores open where neighborhood locales used to be. Crowds so thick you can't walk the streets in the center. Drunks yell and bash into tavern doors in the evening.
The masters of the revanchist city don't suffer this. Their residential districts are quiet. On weekends and holidays they leave for their second homes in the mountains, or jet off to a resort.
To be sure, Madrid is still a great city, and the pleasures of this town, cafes, bars, plazas and more, still glimmer on summer evenings.
… Captained by Pirates
But it’s more and more about hustle and making money. The pace is picking up. Young salarymen in a hurry shove past on the street. And it’s emulating New York City in another way, where the model of exploiting artists' districts for high-end real estate value began.
Urban development based on pure destruction is back. (Gaza is the ghastly paradigm.) Organic urban fabric, the lived texture of neighborhoods, communities and creative districts is conceived by bronco-busting capital as terrain vague to be made over into consumer zones for the bourgeoisie.
How to stand against this?
That’s the urgent question facing the partisans of the EKO social center in the barrio of Carabanchel.
The rightwing mayor campaigned to crack down on okupas, squatters, very broadly construed. His campaign was animated by vivid lies. He has fulfilled his promise. As the fascist Vox councillors in partnership with the ‘moderate’ right took office around the city, they first closed all the legal citizens’ projects around Madrid. (Those are the blog post reports I couldn’t finish.) Now the city has moved aggressively against the social centers in the gentrifying barrio of Carabanchel. [FN – Distrito 11]
We’re Coming for You, Punk
And they have been booming it. Some 50 police broke down the door of CSO Diskordia in February. The eviction, ordered in secret, was assisted by dogs and helicopters. This state terrorism was directed at a persistent collective of anarcho-punks which had previously run La Gatonera in two other buildings. They do punk concerts, but the group has a strong activist bent, working for Palestine and against gentrification. [FN – Spanish Punk[ These are not popular causes in the echelons of government and big capital.
Next it was the turn of the CSO Vetades. That was a real April drama. The eviction followed a fire which erupted during an attempted demolition of the building with the people inside. The owners, a company dedicated to luxury development, had bought the entire block, and are building artist residences and art gallery spaces. So artists with money can prance around unconscious of the ruins beneath their feet of their former fellows.
CSO Diskordia in action in January (via @Dalevuelta, Facebook)
The eviction of CSO Vetades eviction; photo from El Salto
The EKO now is the big potato hovering over the boiling oil.
The capital group which bought up the vast building (at a bargain price because – yes, it was occupied) has a foot in Miami. There the blood of exiles is running hot at the prospect of a “reconquista” of Cuba. And true to form this bunch has called on the thuggiest elements of Madrid’s rightwing (they’re called Desokupados) to hang around EKO and try to fuck with the okupas, force the door, glower ogreishly, etc.
“These aren’t people from the neighborhood, are they?”
No, they are not. They’re internationally networked thugs for hire working for fascist capitalists.
Deep Roots in Bloody Ground
EKO isn’t only a big building. It’s in a barrio with a deeply resonant past for the left in Madrid.
Since its founding, EKO has been the home of the Ateneo Libertario Carabanchel Latina, a group of elder anarchists which has its roots in the experience of prisoners at the Franco-era political prison in Carabanchel (1944-1998). The English anarchist Stuart Christie was imprisoned there for years. [FN – Christie] Many of his fellow prisoners were shot. Leah Patten tells the story of the vast panopticon prison which was squatted by artists after it was abandoned, and demolished in 2008.
Stuart Christie's jailhouse friend Miguel Garcia in London (1976; photo Phil Ruff). Garcia founded the Centro Iberico anarcho-punk music venue there. A new book has the story….
Carabanchel prison during its last days, when it was occupied and heavily graffitied by artists (photos on Madrid No Frills website © Mark Parascandola)
EKO has been occupying on Calle del Ánade for 12 years, and I met some of these Ateneo men when the project began. They talked and moved slowly, but very deliberately. Like tai chi.
Big Arty Party
The EKO of today shares another thing with the final years of that long gone house of detention – it's full of artists.
As I sat with the assembly, a noisy crowd of folks entered the EKO's big ground floor, moved slowly past the mercadillo of artisans with t-shirts, ceramics, embroideries and zines, and paraded up the stairs behind the bar. They were on their way to an art show on the 2nd floor, having its opening that day as well. This was the 3rd “Encuentro de Arte y Creatividad en Carabanchel”, an indigenous counterpoint to the barrio's city-sponsored art gallery festivals.
The EKO assembly on the ground floor heard a statement of support read by a rep from CSO La Rosa (@cso_larosa), called the “chic okupa” in by El Mundo. It’s bursting with activity groups, and English is spoken among the internationals who come there. I recently attended a weekly drawing party there in the studio of an artist who was away, showing in NYC.
The rep told us the experiences he had at EKO inspired the programs at La Rosa, which is principally a cultural center. He learned how to “do projects with little money”, a reminder that youthful creativity thrives if exercising it doesn’t cost its makers money they don’t have.
Another solidarity statement came from “La Enre de Tetuán”* (@la_enredadera_de_tetuan). The name means “the ivy”; it rhymes with the title of a recent touring exhibition of political posters and other designs at Reina Sofia museum, “Giro gráfico: como el muro en la hiedra” (“like the wall [covered in] ivy”).
“La Enre” was the site of the zine event Pichifest in 2023, in which this blogger disported himself dressed as a Polish elf (in tribute to the Orange Alternative movement, a surrealist underground during the 1980s). I sold squatting research books, as well as posters from the JustSeeds Peoples’ History series, printed off from the website. Few sales, but some interesting conversations. I blogged the experience here.
The Spanish are stoics, but the mood at the gathering on Friday evening seemed glum.
After we heard fullsome declarations of support from other okupas, the assembly went round-robin with emotive statements of the value of the EKO experience.
They spoke of the feeling of belonging they experienced at EKO as they “shared this small ideal world”, bidding “adios a la sistema” as they did so.
A young woman* who grew up with EKO being available over its many years of existence observed, “Everywhere you have to pay now. All the cultural spaces.”
The sheer injustice of closing EKO was expressed in one clear observation about the city’s intent to remake Carabanchel – “The artists are here.”
The EKO assembly circulated a sheet asking for suggestions, and I made some. (Illustrated below.) The key challenge (IMHO) is to overcome the hangover habit of self-isolation, what the Italian movements call auto-ghettizzazione (self-ghettoization). That’s a rejection of anything outside of the movement, be it parliamentary politicos, city officials, business owners, conventional cultural and political organizations – all of that great outside, la sistema. Which, as a consequence, remains ignorant of the many achievements of the social centers, ignorant of their increasing importance in the cultural and social life of young people in this city.
The special experiences they shared, the camaraderie, the joys and pains enfold the okupas like a blanket. They are precious, these lived moments, but they are also not really public. They take place in a place apart, as if in – as the name of the ur-okupa of Madrid has it – a Laboratorio (1997-2004).
“Lobby lobby lobby”, I wrote to them. And, historian that I am, “Above all, don’t leave without a book.” Record and claim your histories. They will stand as proof of the gravity of the crime, the official murder of proven potentials that is in process.
Fuck All Those Fucking Fuckers
Are you sad or angry?
Both. I’m angry because the people who built EKO are not being respected for what they have accomplished. They’re being thrown to the dogs.
And I’m sad too, which drives my impulse to call for monuments, to make books of record that make memory concrete.
It is in the nature of most okupas to end. Like very sick children, only a very few projects pass into a longer life, or lend their energies to something else.
What else? In Madrid, Caixa Forum, run by a foundation, was inspired by early okupas, as a recent historical exhibition there acknowledged. Tabacalera autogestionado may recompose itself alongside Tabacalera official after construction is done -- MNCARS is standing by during the renovations. These two are in the center, in the ‘cultural strip’of institutions intended to gentrify Lavapies.
Now new okupas in the center are not allowed in Madrid. Patio Maravillas and La Ingobernable were evicted, and re-occupations squelched. So collective projects have been pushed out to the surrounding barrios of Madrid. But out there they sren’t given the chance to turn into something useful for their communities. They are simply evicted, and their energies scattered to the winds.
Anarchist forces are gathering for the next assault on vacancy. That’s a good thing. It needs pointing out that while they are allies, these are not always the same people who made EKO what it became. That delicate mix of forces political and cultural was a long time in composing. That it is to be snuffed out in Carabanchel is a crime against culture.
In 2017 Santiago Sierra affixed a plaque to EKO during an exhibition declaring it a monument to civil disobedience (the JACA group show; Monumento a la Desobediencia Civil). The plaque has disappeared, and soon as well may the place it commemorated.
Real human energy, as it expresses itself in projects like EKO, builds monuments in sand in a hyper-capitalist society. These oaeses of freedom and creativity arise; they cannot be legislated. They are not understood in conventional terms, and consequently they are rarely respected. It is utopian to hope that this meatheaded city government would consider turning EKO public, like Rue de Rivoli in Paris, Rote Fabrik in Zurich, or even Caixa Forum in Madrid central. That takes vision; current leadership has only coins for eyes.
EKO manifesto handed out in the assembly
My scribbled suggestions in Spanglish
NOTES
“on the brink of extinction”
Susana Albarrán Méndez, “El EKO detiene un nuevo intento de desalojo del centro social por parte del fondo Midtown Capital Partners SL”, 13 mar 2026, @elsaltodiario.com
“movement of the squares”
Can search “movement of the squares political: for articles reflecting on this moment. I worked a bit with the Austrian artist Oliver Ressler in Madrid for his 2012 video project “Take The Square” (see https://www.ressler.at/take_the_square/).
† TINA is the acronym ascribed to British PM Margaret Thatcher for “there is no alternative” to capitalism.
[FN - Distrito 11]
Carabanchel is being promoted by official tourist websites as a ‘bohemian creative hub’, the new hip barrio. The full wonder which is unfolding in this residential working class barrio is explained by this city hall website as “La revolución creativa de Carabanchel ya tiene nombre propio: DISTRITO 11”, https://diario.madrid.es/blog/2024/05/13/la-revolucion-creativa-de-carabanchel-ya-tiene-nombre-propio-distrito-11/
[FN – Spanish Punk[
A new book in English by David Vila Diéguez, Spanish Punk: Screaming for Democracy in a Postdictatorial State (P.M. Press, 2025) clearly explains the imbrication of politics and punk music in Spain since the end of the Franco dictatorship in 1975.
On the evictions of Diskordia and Vetades, see:
Diskordia – Laura Prieto Gallego, “Un refugio cultural menos en Madrid: desalojan Diskordia, centro de ocio y apoyo vecinal de Carabanchel”, 5/2/2026, @publico.es
Vetades – Susana Albarrán Méndez, “Amenazas, acoso, policía y un incendio: integrantes del CSO Vetades se ven forzados a abandonarlo”, 30 abr 2025, at @elsaltodiario.com
Ateneo Libertario Carabanchel Latina
https://radar.squat.net/es/madrid/ateneo-libertario-carabanchel-latina
[FN – Christie]
After his release, Stuart Christie became a leading figure in English and Scottish anarchism, and a favorite target of UK police persecution. Christie’s book tells the story of his 1964 arrest and imprisonment. (Stuart Christie, Granny Made Me an Anarchist: General Franco, the Angry Brigade and Me; multiple editions; see AK Press; online at https://archive.org/details/grannymademeanar0000chri). A brief review of the book discusses the UK context – https://www.katesharpleylibrary.net/zkh2cv. Christie was an active publisher, and a key networker with the exiled Spanish anarchists. Since his death new books have appeared on these connections, esp. Nick Soulsby's Born of Struggle, Living in Hope: The Anarcho-Punk Lives of the Centro Iberico, 1971–1983 (PM Press, 2026), and anthologies of Christie’s writings.
On the prison of Carabanchel
Leah Patten, “Madrid No Frills” website, 16 February 2018, “The story of Madrid’s most controversial prison” https://madridnofrills.com/madrid-prison/ Photographs © Mark Parascandola.
“chic” CSO La Rosa
Daniel J. Ollero, “La Rosa, el edificio okupa 'chic' de La Latina con clases de baile y talleres de costura donde rusos y ucranianos charlan amistosamente”, 5 julio 2025, @elmundo.es
* A confession: Despite years in Madrid, my Spanish remains weak, and my comprehension of the speaking events I attend is spotty. Hope I got it right!
“blogged it here”
See “Art + Squat = Pichifest”, at https://occuprop.blogspot.com/2023/11/art-squat-pichifest.html
Enredadera/hiedra
“Giro gráfico: como el muro en la hiedra”
PDF catalogue here:
https://recursos.museoreinasofia.es/Publicaciones/giro_grafico.pdf
video of the "Giro Grafica" https://www.museoreinasofia.es/multimedia/giro-grafico
#CentroSocialesOcupados
#EKOCarabanchel
#CSODiskordia
#CSOVetades
#CSOLaRosa
#AteneoLibertarioLaLatina
#MadridNoFrills
Zine documenting a recent facade exhibition at La Rosa (@la_multiusos). The show was attacked with lawfare by the Zionist lobby Action and Communication on the Middle East (ACOM), and had to be taken down.
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