I fell into this website, “Good,” which promotes forward looking projects, sustainable city initiatives, new technology, new economy, this sort of thing. We could call it a part of the sustainability movement – it was so named in 1990. I haven't followed it, but it's what schools of design are teaching, and what artists worry about. Yes, everyone who thinks worries about the cliff our human world is rushing towards. “Good” was featuring a Madrid project. Some folks had gone into the streets of the city center and put little sun umbrellas and plastic dinosaurs over plants growing through cracks in the stone-paving to protect them. These artists observed that their project was “noticed” the next morning.
This in a nutshell sums up what is wrong with the “Good” approach. The problem in Madrid isn't too few weeds in plazas, it's too many cars. Walk around this city and you smell it. Bicycling seems suicidal. There's a group working on that problem called the Critical Mass. Next week Chris Carlsson from San Francisco is coming to Madrid, a guest of the “Bici Critica” group here. (I'll blog about that when he comes.) Chris is one of the founders of this mass bicycle ride through the excessively grand highways that pierce our modernist cities. It interferes with the sovereignty of motorized traffic. It's a viral form of direct action that's gone global. In New York City the Critical Mass led to years of nasty confrontations with police. Now, finally New York has bike lanes. Coincidence? Well, it's like Bill Di Paolo said 25 years ago, the “Time's Up” on waiting for governments to act.
Now, after the sad showings in the Bonn climate talks and Rio+20, the director of Greenpeace is also fed up. “We have to ask ourselves what history teaches us in terms of how change happens when humanity has faced a big challenge, such as civil rights, apartheid or slavery,” Kumi Naidoo told the Guardian in Rio. “It is only when decent men and women said enough is enough and no more, and were prepared to put their lives on the line and go to prison if necessary, and that is where we are. We have to intensify civil disobedience. I keep thinking of what [Nelson] Mandela said decades ago, which is, this struggle is one that I am prepared to live for and if needs be to die for, and that is what the leadership challenge is for us.”
Greenpeace does not want Shell Oil to drill in the Arctic. Shell has obtained a global injunction against Greenpeace. (Didn't know about those? Ah, well – even the right doesn't like the newly proposed Trans-Pacific Partnership.) So Greenpeace plans to break some laws. A Shell-bought country may send out their navy to stop them. Who's good? Who's bad? What is necessary?
So back to “Good.” I linked there from the BMW Guggenheim Lab in Berlin. They emailed me that they're having a contest, which Good is arranging, to send in your ideas for improving public spaces. (There's a blog contest too, but “Occupations & Properties” can't be entered because it reports on activities that are illegal – it's in the rules.) The BMW Guggenheim Lab was born from the partnership of the mega-German car company and the entrepreneurial modern art museum. By the project's own flack, it's a “a think tank, a community center and a public space,” and it opened first in New York just before last year's Occupy fall. In August of 2011, some of the old-time Lower East Side squatters and their friends came to the lab and got loud, staging a “Let Them Eat Cake/Eat the Rich/No Comfort Zone street party.” The BMW Lab's theme is “Confronting Comfort.” So then, whose comfort is being confronted?
When the ex-squatters descended, blogger EV Grieve writes, “The Lab itself greeted the protest with a mixture of appreciation and utter annoyance, sympathizing with its cause but finding its aggressive tone objectionable. 'This space is meant for dialogue,' said Lab team host Kristian Koreman, who has roots as a squatter in Rotterdam. 'If they had acted in a way where they wanted an answer to their questions, we would have answered.'”
Well, that's promising, I thought, that an ex-squatter is working with them and is willing to take questions. But it seems these questions should not be ontological: the entire basis of the project is not up for discussion. Still, they could have answered – but what was the question again?
The NYC Lab was used most regularly as a presentation venue for young experts-in-training, architects, planners, and assorted urban geeks. When the Lab was packing up, EV Grieve asked what its readers thought of the NYC gig. One commenter wrote: “I live nearby. I had to pass by to get home many nights. Imagine white hosts in their twenties with lazy, nasally, monotone speaking voices peppering the word 'urbanology' over loud speakers to a mostly fedora and calf-high black-boots-over-black-tights-wearing crowd.”
Urbanology – that's the study of cities. And that is who is working in and curating the Lab. (Except for those who shift chairs and scenography, cook and serve the $10 hamburgers, etc.) While they did invite in a number of old-time resistance oriented people to talk and present, finally it was as history, not as possibility or critique.
They invited me to talk, and I would have if I could have. That's my old neighborhood. The NYC Lab was sited directly across the street from Whole Foods, a giant expensive supermarket developed on city-owned land. Thirty years ago I ate for $1 in a sunny breakfast cafe which stood on that land, next door to a bum's bar open almost 24 hours. (The customers were often allowed to sleep under the tables.) Ten years before I lived there, Jane Jacobs' tribe of activists pitched tents along Houston Street to protest the city's plans to displace low-income residents. The battles this neighborhood fought against gentrification were lost long ago. A local boutique recently did a sarcastic victory dance on the photographic remains of the Mars Bar, the last bastion to fall. So if I had talked at the BMW Lab it would have been in terms of reminiscence, an old geezer sharing his fond and bitter memories...
And Now It's Time for Your Questions
Now the BMW Guggenheim lab is in Berlin, “confronting comfort.” They are “focusing on citizen participation in the future of cities” from June 15 to July 29, offering “free programs designed to empower residents to change the city they live in.” They had planned to plop the Lab in Kreuzberg, along the River Spree. Kreuzberg in the former West Berlin was the epicenter of the squatting movement in the 1980s. Long slated for the massive redevelopment campaign of Mediaspree, this area is on the front lines of the struggle against gentrification in Berlin. The city has been bumping squats and alternative projects out of there one by one. So folks are steamed, and very well organized. The cops got the willies, citing “threats of violence by ultra-left groups.” (The favored weapons of the Mediaspree Versenken / Sink Mediaspree campaign at its height were paint bombs and water pistols, but never mind.) So the Lab was relocated to Prenzlauer Berg, the plush neighborhood of aparatchiks in the former East. Even there they are having trouble – with the police!
They are being over-protected. “If someone makes a presentation in the lab, I do not want visitors to feel they are surrounded by police,” said Maria Nicanor, the curator of the Lab. But they are. A competitive citizens' event for children was interfered with by police. Because that is more or less what the BMW Lab has been reduced to, holding events for children. (P'berg is full of breeding couples.) Which is kind of what the “Good”/BMW Lab collaboration is, finally, an invitation to submit your idea, to ask your question, to make your suggestions. They will judge them, and you might get some publicity, maybe even some kind of prize, like a chance at geekdom yourself.
This is a far cry from what political squatters have traditionally resisted for, and what their contemporary allies envision – a full-scale participatory planning process. “Good” won't do. “Good” is a cartoon for children. Although, just as all those talking animals make a lot of grown-ups into vegetarians, we may hope that our “Good” kids may wake up before we're all in free fall over that cliff. Time's Up. We can't just be “Good.” We must fight the evil, including the evil that results from doing nothing and refusing to look.
Although the times so often seem to demand it, I don't like to write cranky or canty. So let me add, as a kind of coda – the info about the resistance to the BMW Guggenheim Lab was sent to me by a member of the SqEK group who is following the action. His email subject line was “FUCK THE BMW LAB.” In Germany, as the website of the anti's makes clear, there are plenty of reasons to feel enmity towards that company for its past, its political role, etc.. In the USA they are simply known for making expensive cars which get exhibited in museums like the Guggenheim.
I have devoted my life to seeking and disseminating knowledge, so I have respect for the “laboratory” process that BMW Guggenheim Lab pretends to embody. But the way that SqEK is doing it is in the model of militant research, and we don't have any money. This is rather the opposite of the embedded institutional and corporate knowledge that the Lab seeks to produce and disseminate.
Corporate knowledge, even in its tutelary mode, does not advance according to a model of “criticism and self-criticism.” At best, it will answer your questions. (In some way; speak after you have spoken; or maybe say nothing.) It rests securely on its monetary foundations. Those talking are paid to talk. Those listening may pay to listen so that they in turn may become the ones paid to talk.
There is a great deal to be learned from the inhabitants of a city which you are seeking to redevelop. There is much of value in the institutions they have created, especially those that they have formed with great effort and solidarity in resistance. If you don't talk with them instead of at them you will never learn. When you are surrounded by the police, it is clear that the position of your investigation is corrupted. Then you are not a listening post but a sound truck. You present as a potential victim who must be protected from the discourse you wish to understand. The knowledge you gain will, of course, be shared with your protectors. So why should anyone talk to you? Talking to the police can only get you in trouble.
It isn't that the people running the BMW Guggenheim Lab are bad – they aren't. They come from an enlightened corporate sector. They mean well, and they are trying their best to do something meaningful amidst difficult circumstances. It is that at this very late stage in our planetary devolution they are still trying to make a business out of doing “Good.” It's certainly too late for that.
images -- from Treehugger.com, "Walkout from Rio+20"; PowerShiftCanada2012
police around BMW Lab from bmwlabverhindern.blogsport.de
LINKS
“Good” – it's registered in Iceland(?), although it is U.S.A.-centric; there's also a journal
http://www.good.is
Bici Crítica -- Every last Thursday of the month, at 8pm in Cibeles, Madrid.
bicicritica.ourproject.org
Chris Carlsson speed raps for 30 minutes on his book “Nowtopia” – our necessary future
http://www.youtube.com/watch?v=4_pfDjnbWuQ
TIME'S UP! is a New York City-based not-for-profit direct-action environmental group that uses events and educational programs to promote a more sustainable, less toxic city.
http://times-up.org/
Jo Confino, “Furious Greenpeace moves to 'war footing' at Rio+20 -- Pace quickens at Rio summit, as NGO director responds to weakened oceans proposals with promise of civil disobedience”
15 June 2012 at http://www.guardian.co.uk/environment/2012/jun/19/greenpeace-rio-20-civil-disobedience
EV Grieve blog – August 9, 2011 anti-gentrification protest at the BMW Guggenheim Lab – “(The comments section is still smoldering.)”
http://evgrieve.com/2011/08/recap-of-saturday-nights-protest-at.html
EV Grieve blog – “Packing up the BMW Guggenheim Lab”
http://evgrieve.com/2011/10/packing-up-bmw-guggenheim-lab.html
“Hamptons boutique Blue & Cream mounted a 'Tribute to Mars Bar' photo exhibit in their Bowery location.”
http://vanishingnewyork.blogspot.com.es/2012/06/mars-creamed.html
“Confronting Comfort: BMW Guggenheim Lab Opens” in Berlin
http://www.good.is/post/confronting-comfort-bmw-guggenheim-lab-opens/
“The project's overarching theme, Confronting Comfort, spans the first two-year cycle of the six-year project”
Christopher Cottrell, “Berlin's Gentrification Row – Locals Rage Against Rising Rents”
at http://www.spiegel.de/international/germany/berlin-s-gentrification-row-locals-rage-against-rising-rents-a-784966.html
about the monster that is “Mediaspree”
http://en.wikipedia.org/wiki/Mediaspree
Nicanor and other quotes are from “BMW Lab Verhindern” (prevent BMW Lab) blog in German, via Google translate
http://bmwlabverhindern.blogsport.de
“City Forward” competition – good luck!
http://www.good.is/tag/city-forward
Thursday, June 21, 2012
Monday, June 18, 2012
Squat Cinema June 21, Interference Archive -- Two Documentaries from the European Squatter Movement
Thursday June 21st, 7:30pm
Resistir es Vencer: "To Resist is To Win" is a diy documentary that chronicles a year in the squatters movement in Barcelona in the mid 1990s. Starting with the eviction of the famous Cine Princesa occupation this film follows the demonstrations, occupations, and riots that accompanied this particularly strong period in the squatters movement in Barcelona.
Barcelona 1998. 30 min. Spanish with English subtitles
69: Ungdomshuset (literally “the Youth House”) was the popular name of the building formally named Folkets Hus (“House of the People”) located on Jagtvej 69 in Nørrebro, Copenhagen, which functioned as an underground scene venue for music and a rendezvous point for varying anarchist and leftist groups from 1982 until 2007. On 1 March 2007 Ungdomshuset was cleared of its occupants by the police at about 7:00 in the morning, sparking days of intense rioting and giving birth to a widespread social movement that fought for a new space for alternative culture.
“69″, directed and shot by first-time filmmaker Nikolaj Viborg, looks at the dramatic events leading up to the authorities clearing Ungdomshuset on 1 March 2007 and the conflict that ensued. The film won the New Nordic Voices award at Nordisk Panorama 2008. Denmark 2008. 58 min. Danish with English subtitles
69: Ungdomshuset (literally “the Youth House”) was the popular name of the building formally named Folkets Hus (“House of the People”) located on Jagtvej 69 in Nørrebro, Copenhagen, which functioned as an underground scene venue for music and a rendezvous point for varying anarchist and leftist groups from 1982 until 2007. On 1 March 2007 Ungdomshuset was cleared of its occupants by the police at about 7:00 in the morning, sparking days of intense rioting and giving birth to a widespread social movement that fought for a new space for alternative culture.
“69″, directed and shot by first-time filmmaker Nikolaj Viborg, looks at the dramatic events leading up to the authorities clearing Ungdomshuset on 1 March 2007 and the conflict that ensued. The film won the New Nordic Voices award at Nordisk Panorama 2008. Denmark 2008. 58 min. Danish with English subtitles
Thursday, June 7, 2012
On Failing, Sharing, and Getting Lost
I'm stewing over the Wisconsin electoral defeat of the recall effort on Governor Scott Walker, that light-of-the-right union buster. All that grassroots organizing seems to have gone for nothing. Once you enter the electoral arena, you face huge bloated moneybags throwing their weight around propagandistically. And the sheepy people buy it. For me, this goes hand in hand with the suppression of the Occupy movement nationwide, which we learned was coordinated by federal agencies. We're back in the desert again, shut out of electoral politics. And again, frustrated reformers have only their sometime friends, the Democratic Party, to blame – for, according to the party's own calculations, not throwing their own chances away by supporting lost causes.
So, say many, there goes Obama. Between the shitty economy – thanks to Republican obstruction in Congress which has successfully blocked stimulus – and the fatal loss of morale in the progressive cadres, the first black president looks to be fucked for a second term. Bienvenido Mr. Romney.
For his people it seems fine, all right, if the USA becomes a sea of third world poverty with a few well-fortified islands of urban plenty. So much of the science fiction I read in my youth describes just such a world – and it weren't no utopia, that's for sure!
So now what?
Around the same time the Occupy camps were being cleared in the USA, a gal I'd never heard of gave an interesting talk in London at the Centre for Cultural Studies Research at the University of East London. I picked up the Jack Halberstam podcast today, talking about her new book The Queer Art of Failure. The website billed it as a look at “how failure can be used to mobilize radical politics.” Well, maybe not – but it's pretty damned interesting.
Here's my notes on the arguments in her podcast. First, she says, “Queerness is failure as style.” Because queers – that's newspeak for the gay and lesbian and transgender people who don't think of themselves as the new bourgeoisie – queers cannot adopt to gender roles. They always “fail” at being successful heterosexual men or women. So, instead of being shamed by this failure, queers “inhabit it.”
Now, capitalism is about winning and losing. But we always lose sight of the losing part – we are encouraged to forget about that! For a few people to win a lot, many many people have to lose a lot. This means that many, in fact, even most of us under capitalism, are defined in relation to failure.
Then she starts talking about the Invisible Committee, and their recent radical pamphlet “The Coming Insurrection.” The analysis of the Invisible Committee suggests that we get disorganized, and push the crisis in order to try to bring the system down, because it is not the system that is in crisis, it is capitalism that is the crisis. Again, the economy isn't in crisis, it is the crisis. So the IC urges activists – anarchists, particularly – to intensify the crisis. Get disorganized, find each other, and help to push the system into collapse. Occupations have tried to do that.
(Here I lost her a little, since it's not clear that Occupy or any radical group has any power to intensify anything in the general economy, outside of an occasional wildcat strike in a very marginal sector of the economy like coffee shops or bookstores in a notoriously hippie town. Occupy, I thought specified the analysis of the crisis, and diversified the strategies of popular organization that are confronting it – that's all [although that's a lot!]. They have had no real effect on the structure of the crisis itself, i.e., no economic effects, except for boosting police budgets.)
Then she talks of the classic modernist attitude towards failure, using playwright Samuel Beckett as her example: “Fail again, fail better.” Refuse the terms of success, because for the modernists, successful humans are despicable. Only those who fail are respectable. (Again, I doubt it – but I'm reporting her!)
Halberstam then referenced the anarchist political theory of James C. Scott (in his “Seeing Like a State,” 1999) on peasant resistance. Slowdowns, passive resistance, “foot-dragging,” are signs of resistance, stalling the imposition of any kind of rule. (E.g., “Slackers.”) Failure then is one of the “weapons of the weak,” and it stalls the business of the dominators. Then she talked about the novel “Trainspotting.” “In the U.S.,” she said, “people don't read it, but here it's a way of life.” This is “an unqueer novel about failure, disappointment, addiction, violence” with “outbursts and obscene rants from the Scottish working class... [and] moments of searing punk negativity” through which the (anti?) hero articulates his resistance. Halberstam said she was invited by the lesbian art publishing group LTTR to contribute to an event around failure. They pointed out that lesbian tennis champions don't get commercial endorsements. For example, big winner Martina Navratilova was passed over in favor of a loser because she is so “out.” “The butch,” Halberstam says, “can't be co-opted by capitalism. Capitalism presumes that in order to sell things it has to engage the male gaze on the one hand, and sell a certain version of femininity on the other.” This is how to begin to think of the logic of failure, and how it disrupts all kinds of systems. “Capital doesn't run through every single identity location.” While in books and TV shows to be queer is to be consigned to a place of sadness and loneliness, in fact, there's an active social network. Heterosexuality is the place of “nuclearity and isolation.” There was a lot more. She whacked on Slavoj Zizek for his book “In Defense of Lost Causes,” criticizing his take on the recent UK riots as being an inverse of capitalist consumerism, a matter of “shoppers out of control.” The problem we face today “doesn't conform to an old left lineage. As soon as you think big, you're already back into the logic of capital. We're looking for weapons of the weak. We have to think small.” (It's not only Slavoj; this is the kind of talk that drives David Harvey crazy too, although he keeps a better poker face.)
She spoke about the way we sentimentalize the small, the miniature, because it's irrelevant, using a painting of a dead baby bird. She talked about her chapter on “shadow feminism,” the work of undoing femininity, citing as examples the artists Yoko Ono and Marina Abramovic. (She missed my old pal “drag king” Diane Torr, a Scottish lass who's been at this as long as Marina.) Halberstam also analyzes a series of recent childrens' films using the new technique of CGI animation. “To address a child viewer, you have to address failure, because children are always messing up.” These films, she says, teach that “children are collective beings.” But we need to unlearn the attitudes of childhood in order to become competitive individuals in capitalist society. These films educated the Occupy generation. “The child's best line of defense is simply to say 'no'.” This absolute irrational negativity stymies response, and stops the forward motions of parents. Children are a reminder of what we used to be, and a reminder that there are other ways of being in the world.
Finally, during the question period, Halberstam returned to questions around Scott's book “Seeing Like a State” concerning legibility. “The failure to be is a failure to be legible,” she said. “But the answer is not to become legible.” But that's been my project with “House Magic” – precisely to make the social center and squatting movement “legible,” i.e., intelligible as to its political objectives and constituency of activists and participants. Through this, I have reasoned – in classic liberal fashion – it could become possible to legalize successful occupations, to make them “demotic institutions” (not “monsters” as Universidad Nómada has argued). But since its inception, I have worried about my strategy. Stefano Harney and Fred Moten argued that what they called the “undercommons” was a precious resource of the oppressed precarious workers within universities, knowledge that should not be shared with the rulers. The nagging doubt remains that the social center information project could be misguided, unproductive, itself doomed to failure and obsolescence. Halberstam seems to point to a strategy of condensing within failure – which for squats and occupations means eviction – and doing... what? Not exactly so clear, then, is it? More self-isolation – “auto-ghettizzazione,” as the Italians called it?
Even as I write this, my doubts strike me as a little silly. (But then I'm reading Tony Judt, and for him, everything is a little silly.) Still, the question of the conduct and utility of research on the new social movements is on the table with the rise of new cadres of militant or movement researchers and activist-scholars. There's been an important recent burst of thought on this. Is it a reprise of the “scholars into the factories” movement of the French Maoist '60s? Well, not exactly. The group I'm in with, SqEK, is also going through some conniptions around these questions. And there's an “Occupy Research Collective Convergence (ORCC)” June 30 on “activism and research ethics” in London. The game is afoot in academia, and it's a good bet that Mycroft is listening.
Halberstam concludes poetically – (it's cultural studies, after all!) – “We need to forget the old models, cut them loose, so that we can be available to what comes next, open to the political possibilities that will come from being disoriented.... You have to get lost to be able to find a new path.” Well, me too, I'm lost. Vamos à la dérive.
/////////////////////////////
LINKS and REFERENCES
only the first of many reports on U.S. federal repression of Occupy is Rick Ellis, “Update: 'Occupy' crackdowns coordinated with federal law enforcement officials” (November, 2011; Minneapolis Examiner) – but it's a lot worse that this, as subsequent reports have shown – cf. yr local “repression watch”
http://www.examiner.com/article/update-occupy-crackdowns-coordinated-with-federal-law-enforcement-officials
Jack Halberstam on The Queer Art of Failure – a podcast; link is here:
http://culturalstudiesresearch.org/
you can pick up “Coming” online, among other places here – http://es.scribd.com/doc/17495854/Invisible-Committee-The-Coming-Insurrection
where the tagline says the book is now illegal in France. Wait a minute, don't they have a new president?
James C. Scott’s book “Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed” (1999)
LTTR No. 3, “Practice More Failure” (July 2004) is an artists' book; but some of it is online –
http://www.lttr.org/journal/3
Stefano Harney and Fred Moten, “The University and the Undercommons: Seven Theses” in Social Text Summer 2004
The Argentinian group Colectivo Situaciones published “On the Researcher-Militant” in 2003 (trans. S. Touza) – it is at http://eipcp.net/transversal/0406/colectivosituaciones/en
in English, Spanish and German
Stevphen Shukaitis, David Graeber, Erika Biddle, eds., “Constituent Imagination: Militant Investigations, Collective Theorization” (AK Press, 2007)
Julie Perini and Kevin Van Meter (Team Colors Collective), “What Is Militant & Co-Research?” (2008)
at http://es.scribd.com/doc/6010057/What-is-Militant-Research
Colectivo Situaciones (trans. Nate Holdren & Sebastián Touza), “19 & 20: Notes for a New Social Protagonism” (Minor Compositions, 2011)
http://es.scribd.com/doc/75816585/19-20-Notes-for-a-New-Social-Protagonism
“Vamos à la dérive” is the Spanish title for “Let's Get Lost” (1988) is Bruce Weber's movie about Chet Baker. Jazz and heroin in France of the boom years.
For his people it seems fine, all right, if the USA becomes a sea of third world poverty with a few well-fortified islands of urban plenty. So much of the science fiction I read in my youth describes just such a world – and it weren't no utopia, that's for sure!
So now what?
Around the same time the Occupy camps were being cleared in the USA, a gal I'd never heard of gave an interesting talk in London at the Centre for Cultural Studies Research at the University of East London. I picked up the Jack Halberstam podcast today, talking about her new book The Queer Art of Failure. The website billed it as a look at “how failure can be used to mobilize radical politics.” Well, maybe not – but it's pretty damned interesting.
Here's my notes on the arguments in her podcast. First, she says, “Queerness is failure as style.” Because queers – that's newspeak for the gay and lesbian and transgender people who don't think of themselves as the new bourgeoisie – queers cannot adopt to gender roles. They always “fail” at being successful heterosexual men or women. So, instead of being shamed by this failure, queers “inhabit it.”
Now, capitalism is about winning and losing. But we always lose sight of the losing part – we are encouraged to forget about that! For a few people to win a lot, many many people have to lose a lot. This means that many, in fact, even most of us under capitalism, are defined in relation to failure.
Then she starts talking about the Invisible Committee, and their recent radical pamphlet “The Coming Insurrection.” The analysis of the Invisible Committee suggests that we get disorganized, and push the crisis in order to try to bring the system down, because it is not the system that is in crisis, it is capitalism that is the crisis. Again, the economy isn't in crisis, it is the crisis. So the IC urges activists – anarchists, particularly – to intensify the crisis. Get disorganized, find each other, and help to push the system into collapse. Occupations have tried to do that.
(Here I lost her a little, since it's not clear that Occupy or any radical group has any power to intensify anything in the general economy, outside of an occasional wildcat strike in a very marginal sector of the economy like coffee shops or bookstores in a notoriously hippie town. Occupy, I thought specified the analysis of the crisis, and diversified the strategies of popular organization that are confronting it – that's all [although that's a lot!]. They have had no real effect on the structure of the crisis itself, i.e., no economic effects, except for boosting police budgets.)
Then she talks of the classic modernist attitude towards failure, using playwright Samuel Beckett as her example: “Fail again, fail better.” Refuse the terms of success, because for the modernists, successful humans are despicable. Only those who fail are respectable. (Again, I doubt it – but I'm reporting her!)
Halberstam then referenced the anarchist political theory of James C. Scott (in his “Seeing Like a State,” 1999) on peasant resistance. Slowdowns, passive resistance, “foot-dragging,” are signs of resistance, stalling the imposition of any kind of rule. (E.g., “Slackers.”) Failure then is one of the “weapons of the weak,” and it stalls the business of the dominators. Then she talked about the novel “Trainspotting.” “In the U.S.,” she said, “people don't read it, but here it's a way of life.” This is “an unqueer novel about failure, disappointment, addiction, violence” with “outbursts and obscene rants from the Scottish working class... [and] moments of searing punk negativity” through which the (anti?) hero articulates his resistance. Halberstam said she was invited by the lesbian art publishing group LTTR to contribute to an event around failure. They pointed out that lesbian tennis champions don't get commercial endorsements. For example, big winner Martina Navratilova was passed over in favor of a loser because she is so “out.” “The butch,” Halberstam says, “can't be co-opted by capitalism. Capitalism presumes that in order to sell things it has to engage the male gaze on the one hand, and sell a certain version of femininity on the other.” This is how to begin to think of the logic of failure, and how it disrupts all kinds of systems. “Capital doesn't run through every single identity location.” While in books and TV shows to be queer is to be consigned to a place of sadness and loneliness, in fact, there's an active social network. Heterosexuality is the place of “nuclearity and isolation.” There was a lot more. She whacked on Slavoj Zizek for his book “In Defense of Lost Causes,” criticizing his take on the recent UK riots as being an inverse of capitalist consumerism, a matter of “shoppers out of control.” The problem we face today “doesn't conform to an old left lineage. As soon as you think big, you're already back into the logic of capital. We're looking for weapons of the weak. We have to think small.” (It's not only Slavoj; this is the kind of talk that drives David Harvey crazy too, although he keeps a better poker face.)
She spoke about the way we sentimentalize the small, the miniature, because it's irrelevant, using a painting of a dead baby bird. She talked about her chapter on “shadow feminism,” the work of undoing femininity, citing as examples the artists Yoko Ono and Marina Abramovic. (She missed my old pal “drag king” Diane Torr, a Scottish lass who's been at this as long as Marina.) Halberstam also analyzes a series of recent childrens' films using the new technique of CGI animation. “To address a child viewer, you have to address failure, because children are always messing up.” These films, she says, teach that “children are collective beings.” But we need to unlearn the attitudes of childhood in order to become competitive individuals in capitalist society. These films educated the Occupy generation. “The child's best line of defense is simply to say 'no'.” This absolute irrational negativity stymies response, and stops the forward motions of parents. Children are a reminder of what we used to be, and a reminder that there are other ways of being in the world.
Finally, during the question period, Halberstam returned to questions around Scott's book “Seeing Like a State” concerning legibility. “The failure to be is a failure to be legible,” she said. “But the answer is not to become legible.” But that's been my project with “House Magic” – precisely to make the social center and squatting movement “legible,” i.e., intelligible as to its political objectives and constituency of activists and participants. Through this, I have reasoned – in classic liberal fashion – it could become possible to legalize successful occupations, to make them “demotic institutions” (not “monsters” as Universidad Nómada has argued). But since its inception, I have worried about my strategy. Stefano Harney and Fred Moten argued that what they called the “undercommons” was a precious resource of the oppressed precarious workers within universities, knowledge that should not be shared with the rulers. The nagging doubt remains that the social center information project could be misguided, unproductive, itself doomed to failure and obsolescence. Halberstam seems to point to a strategy of condensing within failure – which for squats and occupations means eviction – and doing... what? Not exactly so clear, then, is it? More self-isolation – “auto-ghettizzazione,” as the Italians called it?
Even as I write this, my doubts strike me as a little silly. (But then I'm reading Tony Judt, and for him, everything is a little silly.) Still, the question of the conduct and utility of research on the new social movements is on the table with the rise of new cadres of militant or movement researchers and activist-scholars. There's been an important recent burst of thought on this. Is it a reprise of the “scholars into the factories” movement of the French Maoist '60s? Well, not exactly. The group I'm in with, SqEK, is also going through some conniptions around these questions. And there's an “Occupy Research Collective Convergence (ORCC)” June 30 on “activism and research ethics” in London. The game is afoot in academia, and it's a good bet that Mycroft is listening.
Halberstam concludes poetically – (it's cultural studies, after all!) – “We need to forget the old models, cut them loose, so that we can be available to what comes next, open to the political possibilities that will come from being disoriented.... You have to get lost to be able to find a new path.” Well, me too, I'm lost. Vamos à la dérive.
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LINKS and REFERENCES
only the first of many reports on U.S. federal repression of Occupy is Rick Ellis, “Update: 'Occupy' crackdowns coordinated with federal law enforcement officials” (November, 2011; Minneapolis Examiner) – but it's a lot worse that this, as subsequent reports have shown – cf. yr local “repression watch”
http://www.examiner.com/article/update-occupy-crackdowns-coordinated-with-federal-law-enforcement-officials
Jack Halberstam on The Queer Art of Failure – a podcast; link is here:
http://culturalstudiesresearch.org/
you can pick up “Coming” online, among other places here – http://es.scribd.com/doc/17495854/Invisible-Committee-The-Coming-Insurrection
where the tagline says the book is now illegal in France. Wait a minute, don't they have a new president?
James C. Scott’s book “Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed” (1999)
LTTR No. 3, “Practice More Failure” (July 2004) is an artists' book; but some of it is online –
http://www.lttr.org/journal/3
Stefano Harney and Fred Moten, “The University and the Undercommons: Seven Theses” in Social Text Summer 2004
The Argentinian group Colectivo Situaciones published “On the Researcher-Militant” in 2003 (trans. S. Touza) – it is at http://eipcp.net/transversal/0406/colectivosituaciones/en
in English, Spanish and German
Stevphen Shukaitis, David Graeber, Erika Biddle, eds., “Constituent Imagination: Militant Investigations, Collective Theorization” (AK Press, 2007)
Julie Perini and Kevin Van Meter (Team Colors Collective), “What Is Militant & Co-Research?” (2008)
at http://es.scribd.com/doc/6010057/What-is-Militant-Research
Colectivo Situaciones (trans. Nate Holdren & Sebastián Touza), “19 & 20: Notes for a New Social Protagonism” (Minor Compositions, 2011)
http://es.scribd.com/doc/75816585/19-20-Notes-for-a-New-Social-Protagonism
“Vamos à la dérive” is the Spanish title for “Let's Get Lost” (1988) is Bruce Weber's movie about Chet Baker. Jazz and heroin in France of the boom years.
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